Réticulations

Scenification of theoretical research on the theme of intersubjectivity under the influence of technologies - with Laurent Bonnotte (IFP ISRP and Salpêtrière Paris) and Thierry Pozzo (IIT / CTNSC and Inserm Dijon).

A performative show associating contemporary dance with a digital, interactive and modulated visual device in real time, to compose moving painting.

Three people meet in a neutral space, a space that creates and forms with their arrival, presence, actions and interrelationships. When a new person arrives, a new intersubjective dynamic establishes: who is the "I"? Who is the "you"? Who is the "he", or "she"? we ? you ? they ? At each dynamic construction, the interactive visual device projects points, lines, paintings on the screen, it therefore offers its unique vision of the relationships. The intersubjective reading of the three people "increases" with the participation of the "machine". We observe, we imitate, we interpret. And the machine, does it observe, copy, and interpret us?

June 3, 2022: Round table & performance at the Institut Marey Université de Bourgogne in Dijon (France): Art et Science du mouvement en environnement numérique

November 7, 2022 : Conference on the medicine of the future, Université Grenoble Alpes (France)

Credits

Visual processing and programming: Laurent Bonnotte

Choreographic direction: Margherita Bergamo Meneghini

Dancers: Elise Boileau, Camille Chevalier and Benjamin Labruyère

Scientific advisor: Thierry Pozzo

in collaboration with INSERM, Universitè de Bourgogne and Institut Marey de Dijon

Music: Hiroshi Yoshimura (Wet Land)

Photography: Audrey Planchet

Video editing: Émilie Léveillé

Production manager: Maria Leon Arraez

Produced by: Compagnie Voix and Université de Bourgogne