Compagnie Voix is an international choreographic research project applying new media.

Our goal is to place the audience at the center of the experience.

We create choreographies from the analysis of languages to go beyond verbal expression and cultural context, to reconnect with the human nature of movement, and to draw from what is consciousness. Through this, we seek an horizontal diffusion of the practice of dance.

The body matters / L'aventure du corps

Creation

Eve 3.0

Creation

Think with the body

Research

Latest articles

Chaillot Augmenté x Rencontres TMNlab

Published on 16.02.2025

As part of the project "Chaillot Augmenté", Chaillot-Théâtre National de la Danse is joining forces with the TMNlab community, an observatory of uses and a space for innovation through cooperation, to design two days of professional meetings to reflect on the current state of the performing arts and digital technologies. 13 & 14 February 2025.

Real Human Touch: Performer-Facilitated Touch Enhances Presence and Embodiment in Immersive Performance

Published on 15.01.2024

In March 2023 we presented a fragment of "Eve 3.0", the stereoscopic film "Dear Diary" at the CINEDANS international video dance festival, in Amstedam, where during two full days we interacted with many participants. The result of this experience, apart from the incredible human exchange, is a paper written by eight hands with John Desnoyers-Stewart (lider of the project), Katerina Stepanova and their supervisor at SFU Bernhard E. Riecke. The two pivots for reflection in this article are the influence of physical human contact in the sense of presence in VR and the diversity of experience between laboratory and in-the-wild experimentation.

References for the research creation

Published on 17.10.2023

In the context of the research associated with the creation of "Eve 3.0", we select artistic references in order to create a theoretical framework around them, with regard to aesthetic choices, historical, geographical and cultural contexts, the evolution of technologies and their use on stage. These references are participatory performances that become case studies.